Xbox Mod Adventure: Part 1

I used to do some more technical writing here (not necessarily technical, but at least an overview of things I worked on) and I'm going to try to get back to that a bit. I finally did a backlit GBA mod a while ago so I'll go over that soon, but we're going to take a look at the original Xbox first.

I've mentioned briefly before that the original Xbox was a pretty big turning point in my fandom of games. It's probably my favorite gaming console of all time. Like most, my first experience with the console was with Halo. When Halo 2 came out though? It was love. Then next year? It abruptly ended when the 360 came out. My torrid affair with the original Xbox lasted about a year and a half. I bought my first Xbox off of a good friend. He sold it to me for $5 in early 2005 because the DVD drive was shitty and he decided to shoot the power button off with an airsoft gun.

I went ahead and bought a new drive, and I was off to the races. The first two games I bought were the DOOM 3 collector's edition and Genma Onimusha. Up until I got a 360 for Christmas in 2006 I did little other than play Xbox. I got to be pretty fierce at Halo 2 and I bought and plowed through around 40 Xbox games in that time period. Xbox prices tanked fast since Microsoft dropped the console as quickly as they could when the 360 came out. Eventually, my Xbox ended up with an ex girlfriend some time in 2008 and wasn't seen again until 2011.

I made that awkward text requesting it back when I found a copy of Beyond Good & Evil. I didn't end up caring for the game, but it did reignite my love for the Xbox. All of my official controllers were gone and my HDD was filled with saves for Medal of Honor (I'm guessing her uncle had the system..). I purged the saves that weren't mine and comforted her. The DVD drive however, was bad again.

There are three common Xbox DVD drives and a fourth which possibly only shows up in refurb units. The one that this Xbox had was a Thompson. When my friend sold it to me, it had a Thompson as well. These drives are absolute shit. I replaced it with a Thompson because at the time, I believed you needed to replace it with the same drive. Not true. Thompsons are basically guaranteed to fail after a few years and investing in one is a bad choice. So, the Xbox went into what was (mostly) a state of rest.

About a year later, I came upon an Xbox in Goodwill for about $12, so I snagged it. The case was in good condition (no power button shot off with an airsoft gun) and I figured I could pull the DVD drive. Turns out I came upon a sort of uncommon drive.

Awh yeah baby, quote me more..

Before proceeding, let me discuss why we've come to this point of modding an Xbox. A friend of mine was looking for an N64, so I told him I'd keep an eye out. I didn't come across anything, then I had the thought of softmodding an extra Xbox I had and putting emulators on it for him. He found out his PS3's HDD was going out, so he offered to trade it for the Xbox. I sweetened the deal by saying I'd get a better DVD drive and pop a 500gb HDD in it. Great deal for me since I enjoy doing this kind of thing and there's honestly not a whole lot in the PS3 library that I'm dying to play. Today, that 500GB HDD got here so I wanted to get started.

That Xbox I got at Goodwill? I didn't use the motherboard because of how the hard drives are tied to the motherboard and all of my saves were on my old HDD. I simply swapped my old board into the new case and switched out the DVD drives. No problem, right?

Wrong.

Whenever I think "no problem," I'm wrong.

That link up there with information about the Xbox goes into detail about the different motherboard revisions. The one my friend sold me is a 1.0 and the one I bought at Goodwill is a 1.6. So what, right?

Well that 1.6 motherboard that went into my 1.0 case, I just forgot about it. I never had another reason to plug it in or use it, so I didn't. I had no idea I colossally shot myself in the foot. I fired up my Xbox, made sure the Agent Under Fire Ndure exploit was on my memory card and pulled out the Xbox to be modded.

Speaking of which, praises be to Agent Under Fire.

Isis gon' be mad

Seriously, who the fuck coded this game so incompetently and how are they not blacklisted from the industry? Agent Under Fire is not only a game that's exploitable to softmod an Xbox, the PS2 version is exploitable as well to set up Free McBoot. Sort of a crappy game, but goddamn. Thank you likely unpaid EA intern for your hard work.

So, I plugged in the Xbox and hit the power button... nothing. Nothing at all. I thought maybe I just stuffed the components into the case and didn't hook everything up since I wouldn't need to use it.

Nothing.

Then I started thinking maybe there was something wrong with the power button. I tear apart my Xbox, hook the power button up to the other one.

Nothing.

Time to Google.

Well, it turns out that Xbox motherboard revisions 1.0-1.5 use the exact same case. Switch those fuckers out freely. 1.6 though? This is the only case that's different.

I fucked up a transistor because while the two cases are mostly the same, there's one critical difference that you would never even know about. That tiny piece of tin has fucked my shit up.

So, now I need to replace that transistor. It's all good though, I bought one for $1. Now I just have to wait and get ready to solder something really small.

Castlevania: Harmony of Dissonance (Game Boy Advance) Review

Castlevania: Harmony of Dissonance is the entry in the GBA Castlevania trilogy that's out in third place. Even people who don't like Circle of the Moon for the reason that "it's not in Iga's timeline" still like CotM better than HoD. I came into this game expecting another somewhat hollow and uninspired Igarashi helmed Castlevania. I was surprisingly wrong.

If you've been around the Castlevania series for a while, you're pretty familiar with the recycled sprites and the fact that there are maybe one or two new enemies each game. Harmony of Dissonance actually goes out of its way to bring in new enemies. I was surprised at the constant stream of them, and it gave me a drive to continue that I hadn't felt with an Igarashi game for a long time. The game is much darker in tone as well, with the enemy designs intentionally being more... horror-esque. Another step up in this game is the backgrounds. They're intricate and very detailed which leads the castle to feel like it really does have unique areas.

The background designs are very well done.

While the graphics are inspired, the music is kind of weird. Where CotM had a surprisingly lush soundtrack with some pretty high quality samples, HoD could be mistaken for an NES game with some added sound channels. Take a listen:

The music that is here is good, but it seems like a hugely missed opportunity. It's really hard to overlook the fact that this is just a gross misuse of the hardware. If this were a different series then I think it would be possible to overlook, but Castlevania has always been noted for its music. To have such a great and intense soundtrack rendered in such a way detracts from it when so much more was possible. Hell, maybe it could've been overlooked if CotM hadn't bettered it a year before..

Harmony of Dissonance's plot is actually somewhat interesting. Our Belmont this time is Juste, Simon's (from the original Castlevania) grandson. Juste is... weird. This was actually Igarashi's first crack at creating a Belmont. Excluding remakes, Igarashi's eight full-fledged Castlevania games only featured a Belmont as the main playable character three times. That's sort of weird. I mean... do you like Castlevania? Ayami Kojima's art works well for some characters, but as far as Juste is concerned it's a weird look. 

Juste's friend Maxim decided to gather up the remains of Dracula (much like Simon's Quest) to destroy them, but ended up being possessed by Dracula. The castle has two layers, one reflecting Maxim's "good" personality, and the other his "evil" personality, influenced by Dracula. You have to move between the different layers in order to navigate the entire castle. This is sort of a drag on the game.

A cool new enemy, this one jumps out of a mirror

You don't actually learn that you're going between the two layers until about 3/4ths of the way through the game. Then you're given a map for each layer and one map that shows your overall progress by different colors. The castle layout is identical for each layer, though the backgrounds and obstacles will differ. If this game were on the DS, then the layers would be a different story. Some kind of map annotation like in The Legend of Zelda: The Phantom Hourglass would've been transformative for this game. Unfortunately, you'll be left to wander through the castles seemingly endlessly trying to find exactly what to trigger to progress. 

If the way forward were more obvious, this would be a very short game. It almost seems as though the game is laid out this way just to pad the length. The castle is not large and it doesn't take a huge amount of time to traverse. Similarly, the difficulty is not very high. Save rooms are relatively sparse until you get the whole castle mapped out, which can make early explorations challenging. This is not real difficulty though, this is difficulty by circumstance.

Harmony of Dissonance is a really mixed bag. It's a step above other Igarashi produced Castlevanias and it's a mile behind others. It's not a bad game, but it's not a good game. It's not quite a great game... it just is. Everything adds together to become average.

The Score: 7.5/10

Resident Evil 6: Leon's Campaign (Xbox 360) Review

It's October, the month of Halloween and scary things. I was planning on reviewing a few horror games this month, but the games that I chose turned out to be a bit longer than I expected. As a result, I decided to break up my review of Resident Evil 6 into each individual campaign.

First, I want to talk about the Resident Evil 6 Archives set pictured up there. The 360 version isn't as impressive as the PS3 one (which contains almost all of the RE games), but it's still a nice value. I picked it up on eBay for $15. If you decide to try to grab this, make sure you're getting a new copy. Everything aside from the movie and RE6 comes in the form of a download code.

CODE: Veronica is probably my favorite RE game (next to Nemesis), and I wanted to play the HD version. Unfortunately, this HD version is definitely not the best way to experience the game, but that's another review. I actually already had Resident Evil: Degeneration on Blu-Ray, and while I'm not much of a fan of 4, I did always want to check out the DLC for 5 (even though I had a violently negative reaction to the game). So, overall, I got what I wanted for a less than I would've paid for the two story DLCs for RE5 alone.

Right off the bat, I'll say that I really don't like where the RE series has gone. I've never liked 4 and I think 5 is an atrocious game. It's unplayable without someone playing the game co-op with you. I heard nearly nothing positive about Resident Evil 6. I didn't want to like the game. I wanted to hate it. I want those tank controls and pre-rendered backgrounds again. I want Chris Redfield's bicep to be smaller than his head. I want zombies in my Resident Evil. 

Then Conan didn't raise my expectations for this game any.

 

As I put the game in, I remembered Jim Sterling's scathing review. The start of the game seemed to confirm my desire to hate everything about it as correct. It's a half speed slog through a dark alleyway littered with QTEs as you drag your injured partner to safety. I turned the game off in boredom about midway through the intro.

A few days later, I tried again. I made it through the intro. I was wholly unimpressed by the first chapter. Another half speed slog through a college campus with some irrelevant tertiary characters who would clearly be dead within 20 minutes. A trip through a subway and some city streets which demonstrated a lack of ammo. The end of the chapter presented a boss that took me about 20 minutes to kill because I kept having to kill zombies to get ammo. Through all of this though, I found myself enjoying the game. The return to a more urban area seemed to bring something back to the series that it has been missing. No longer are we in some bizarre vaguely eastern European area (Resident Evil 4), or brightly lit Africa (Resident Evil 5) with some (not so) subtle racism sprinkled throughout. We're back to the city, where an outbreak would wreak the most havoc.

Let's discuss the mechanics a bit before continuing. The greatest improvement to the game from RE5 comes to the partner system. You don't need to pay a damn bit of attention to the AI partner in this game. They take care of themselves. They don't leech your ammo. They have their own inventory and their inventory has gloriously unlimited ammo. They don't seem to die, either. Of course there are segments where you'll need to protect your partner, or you'll need their help opening a door but these sections don't seem like a chore. The AI's competency lessens the stress of these, and they go by painlessly. 

The biggest failing of the game is probably the physics system. Character movement can be outright awkward. Your biggest obstacle in this game is a dead body on the floor. Have you ever been playing a game and walked over a body on the floor and thought "I shouldn't just clip through the body, there should be some physical reaction?" Well, that is a horrible idea and this game proves it. If there's a body on the floor, you'll trip over it. The first time it happens you will be wildly confused and it took me a while to figure out exactly what was happening. This was just a poor design choice. It doesn't really hamper you, but it is annoying.

Another thing... zombie wrestling.

GOOD GAWD ALMIGHTY!!!

AS GAWD IS MY WITNESS HE IS BROKEN IN HALF!!!!!

I'm not really sure where the fuck this came from, but you can seriously just go around kicking zombies in the face and doing wrestling moves and shit on them. I'm not really sure how I feel about this. It's ridiculous...but it's fun? It feels so out of place but goddammit I can't help but like it. I mean, how many times do you some slow ass lumbering zombie in a game or movie and thought "why don't you just kick it and beat the shit out of it?" RE6 lets you do just that.

THAT'S LEON'S MUSIC!!

As far as the story goes, I'm not entirely sure what's going on. The campaign is definitely designed to have you piece events together after playing through all of them. Leon's campaign crossed paths with all of the other campaigns, so I'm assuming everything will be filled in. Then again, it's an RE game. It may make no sense at the end anyways.

Let's be clear, this game is far from the survival horror-type RE games that I love, but I can accept it this time because it's designed to be this way. Resident Evil 4 and Resident Evil 5 control exactly the same as the earlier Resident Evil games. Seriously, play one of the "tank control" games and play 4 or 5. The controls work exactly the same, just with a third person camera. I found that it killed the momentum of the games since those games were meant to be action games but had the controls of a slow, deliberate survival-horror game. This game was designed as an action game and the controls work for it. The pace is fast and even though the physics are off, everything is responsive.

Honestly, I found that the more bombastic sections work well. If there was some kind of viral zombie outbreak, it would be chaotic and RE6 captures this well. This has been a point of criticism from other reviews, but at least for Leon's campaign I thought it worked.

I will concede that the final boss battle of the campaign is a bit too ridiculous. You'll find yourself scaling a massive building with everything burning and an ominous Umbrella logo on the ground that totally isn't supposed to be obvious until the end. It totally is obvious though.

I'm breaking these reviews up because I've read that the campaigns in this game vary wildly in quality. Taken on its own, I found Leon's campaign to be the best Resident Evil content since the Resident Evil remake on Gamecube. The urban areas recall Raccoon City in the best way possible and the chaotic scenes portray the sense of panic that would surely follow an outbreak event. There are highs and there are lows, but I had a whole lot of fun playing through this.

Leon's Campaign: 8.5/10

Game Journalism is Broken and #GamerGate Isn't to Blame

I started writing about all of this #GamerGate shit yesterday because I got all fired up about it. I get passionate about things that are happening. This is hardly even something that you can write about right now because the narrative seems to shift every day. I think that someone turned up the smoking gun, though.

Take a look.

When I started writing yesterday, my scorn was equally pointed towards everyone. Zoe Quinn, the game media and gamers themselves. That was unfair. While I may feel at odds and even alienated from the "core" gaming audience a lot of the time, nothing compares to this. Game journalists aren't reporting on the news; they're actively trying to shape it.

Who's to say what's true now? Who can be trusted?

A game journalist mailing list discussing what to be covered. How many things that should've been bigger outcries have been buried over the years? How many things that should've been nothing have become something?

So, now we have #GamerGate. Let's be clear; no one deserves to be incessantly harassed. But I don't believe that sexism or misogyny is the root cause, here. We know that Zoe Quinn had some form of relationship that went beyond friendly with one or more journalists. The issue isn't that gamers hate her for being a woman, the issue is that they hate the situation. I'd like to think that the same reaction would happen if a female writer had close ties to a male developer, but I sort of doubt it.

Before I continue much further, I sort of want to take this argument out of the equation. This doesn't stem from a gamer-specific behavior of sexism. This is a failing of society as a whole. We should be just as mad at the men in this scenario, but for the most part I don't think people are. People have focused on Zoe Quinn, and she has been just as much of a shitty person in this situation as the writers she was allegedly involved with have been.

I don't think I really have anything to continue on, though.

The real issue here is that we've all been systematically lied to.

I'm sort of crushed by this and I think all of us should be. Gamers aren't always looked upon favorably, and the people that we look to for news on our hobby don't feel any better about us. All the scorn bubbling up here isn't a hatred towards women, it's a hatred towards being looked down upon that finally reached its breaking point.

Killzone: Liberation (PlayStation Portable) Review

Killzone: Liberation is a bland, joyless affair. Nothing in this game hints that anyone involved in its development ever had fun, or ever considered what they were doing to be fun. It is bleak, serious and gray as though it has some grave point it's trying to make. It doesn't. You could mistake this game for being in black and white.

I've never played any of the full-fledged Killzone games, but this doesn't make a good intro to the series. I'm assuming it starts after the events of the first game, and leads into the second. I can't really speak to its impact on or placement in the overall story, but what's here is incredibly lame. It seems as if the developer was told to make a sci-fi game, and they said "okay." From some good old Wiki research, I determined that the enemies in this game are just humans who moved off of the home planet and are now coming to take it back. Or something. It doesn't matter. There's some obvious plot twists, betrayal.. whatever. Everything about this game can be punctuated with "whatever" or "or something." 

The game plays out from an isometric perspective, in contrast to the FPS stylings of the full-fledged titles. It tries to kind of be a stealth game, I think. Or maybe it's trying to be a cover based shooter. I honestly don't know.

Okay, I lied. Gray and orange.

A huge issue with this game is the difficulty. You can have one gun at a time. You're never prepared for the situation you're about to get into with one gun. Your best bet is usually the standard assault rifle. It doesn't have a huge amount of stopping power, it fires in bursts and it sucks. The only way to get different weapons is to get them at resupply boxes spread around the map. You can get a shotgun, but it's only going to stop the guys close to you. It's obviously useless at long range. You can get a sniper rifle, but it's mostly just useless since you're entirely at the mercy of the game's auto aim. There's a few other weapons you can get, but they're all pretty much useless. Later in the game you can get a chaingun with unlimited ammo that only needs to cool down, which is a bit of a lifesaver.

So, you're dealing with your one gun. The next problem is that the enemies seem to have literally the exact same amount of health that you do. Now we come back to... is it a cover based shooter or a stealth game? There are areas where the game clearly wants you to be sneaky. It's pointless, though. You can sneak as much as you want but you don't have any kind of a stealth takedown. You can sneak up behind any enemy you want and melee them, but they'll just turn around like nothing happened and melee you. Which knocks you down and nearly kills you. What? These are humans too. Why the fuck are they so much stronger?

Okay, so let's approach it like a cover based shooter. This is about the only way to play it, and it is fucking boring. Enemies will cling to cover just like you do. You can grenade them, but you get two grenades. They are essential, too. You can get more grenades by playing challenge mini-games, but whoever would be enough of a sadist to go out of their way to do this probably has a few dead animals buried around their yard and will soon be moving on to humans. At times the cover based approach collapses, too. There's some areas where you're clearly supposed to be playing it guns blazing. You can't win here, though. Enemies literally have as much health as you. You can't stop three of them fast enough.

Oooh, red.

This game wants to be tactical. Occasionally you'll get a teammate who you can give some pretty inconsequential orders. You can tell them to attack something or take cover somewhere, but it's generally best to just let the AI do its thing. This comes to another problem with the game. When you're in that tactical menu, it doesn't pause. That's okay, we're not going to use that. Instead of pausing, the game goes into this super slow motion type of thing. It does this when you're opening the supply boxes too. This is where it gets to be an issue because it prevents you from switching weapons effectively. It's already hard to run back to the box to get a different gun, then the game slows down instead of pausing and through the translucent item selection menu you can see a bullet fly towards yourself in slow motion and kill you.

I mentioned the story earlier, but this game seems to have gone to the stores unfinished. Why? There's free DLC for the game which adds an extra chapter (set of four missions) and online multiplayer to the game. I used the DLC, and without it the game's plot would've just ended completely unresolved. It's not on PSN (I don't think it ever was, I think it downloaded from a browser link within the game), but you can get it from the developer's website and install it to your memory stick. Not only this, the game just doesn't fucking have music. It's dead silent while you're running around doing your thing, which only makes the game even more bleak and un-fun. 

OMG YELLOWISH

I made it to the mission before the last and was just miserable with the game. I decided to try changing the difficulty level to see if that helped with the fun any... it didn't. Easy mode just halves the enemies' health. Nothing else changes. There's no extra ammo, there's not fewer enemies. It just takes "half" the hits to kill those enemies. It doesn't help.

Strangely, this game was pretty widely acclaimed when it released. I can't imagine having any more fun playing this game in 2006. Maybe it was just because the PSP didn't have many other games at the time? Killzone: Liberation is the worst kind of handheld game. It's a handheld game because someone felt there should be a handheld game. It's not an extension or modification of the other game's play-style. It's something else entirely with a brand name stuck on it.

The Score: 5/10

Deadpool (Xbox 360) Review

Deadpool is probably more popular than Wolverine right now. He's everywhere. This is sort of unfortunate, because Deadpool seems to be an especially difficult character to write. Too much Deadpool is a bad thing. Take a look at Deadpool Corps. Don't get me wrong, there are some funny bits in there but overall, it's not great. A lot of writers seem to interpret Deadpool as Family Guy humor, which is the absolute worst incarnation of Deadpool. The best is easily in Cable and Deadpool. This was written by one of the creators of Deadpool, Fabian Nicieza. I cannot recommend the series enough. Cable's messiah complex balances out Deadpool's insanity and the series manages to have some incredibly poignant moments. We're not here to talk comic books, though.

You could say Deadpool has a bit of a rocky track record in comics. The game doesn't veer from that much. It follows the basic beat 'em up formula that I've mentioned before. Strong attack, weak attack. Deadpool adds guns to the mix, and I think it's probably the best integration of guns into a primarily weapon based game. Devil May Cry has this as well, but it never seems to go into the mix very well. They're just too weak and break the flow of the action. Guns are effective in Deadpool, and easy to use.

Combat feels appropriately hectic; there's a lot of action but you'll never feel too overwhelmed or swarmed. The problem here is that the difficulty level is very uneven. Sometimes you'll breeze through enemies, other times you'll die in seconds. A big part of this problem seems to be in the larger enemies sprinkled through the game. It's hard to stay away from them as they usually still move quickly, and they do huge amounts of damage. These enemies are mostly just annoying, and they're used pretty liberally. It seems to be there to artificially pad the length of the game. 

This is another problem with this game. This is the type of game that should have been about 4 or 5 hours long. Of course that brings up the debate of what a game is worth and if that's worth a $59.99 brand new price point, but this game just shouldn't have been as long as it is. It's about an 8 hour game, which doesn't seem much longer (and it's not) but the game just sort of drags. It has some serious pacing issues. I didn't sit down and play this through a weekend, either. I came back to it every so often over the course of a couple of months. Spacing it out like that didn't help either, the game just does not flow well. I'd feel the same fatigue coming back to it weeks or months later.

Definitely a PC screenshot.

The plot is sort of weak and doesn't do much to drive the game forward. Deadpool is just doing what he's doing because the game script says so, and then Cable needs his help to stop Mr. Sinister. I was overjoyed when Cable showed up, but there's not really any Cable and Deadpool-type moments here. Deadpool gets bored with Cable's bullshit and decides to kill himself, which is one of the funnier moments of the game. Since I mentioned it earlier, this is a good time to talk about the Deadpool characterization of the game. Overall, it's okay. The plot seems to come from self-indulgent Family Guy style Deadpool; the bad. The humor doesn't follow this type of self-indulgence, but it's never as clever as Nicieza writes it. It's not bad, it's not great.

Not a Nicieza moment, but excellent nonetheless.

I'm not much of a graphics person (I'm not going to complain as long as they're competent and work for the game), but they're worth pointing out here. I'm really not sure what's up with the graphics here. They're just... not that good. They look unfinished. They look like they're half cel-shaded or something. It's not an attractive game. I'm not going to knock it for that, but they're distracting.

This game is a mixed bag, and there's no better way to put it. It's an okay interpretation of Deadpool, the combat is okay with some good gunplay, the plot is okay, the humor is okay. There's nothing here that rises above and makes it impressive. It's worth a pickup if you see it cheap, but it's nothing to freak out over.

The Score: 7/10

Mega Man: Maverick Hunter X (PlayStation Portable) Review

Everyone has played a Mega Man game. It doesn't matter who you are. This is one of the most prolific franchises around, even if Capcom has almost ignored it to extinction lately. Sure, most of the games are ridiculously copy and paste similar but that didn't make most of them any less enjoyable. While everyone has played a Mega Man game, I'll go ahead and freely admit that this is the first one I actually finished. The weird name hides the fact that this is a remake of Mega Man X, but it is.

I don't know why but I always loved that box art. It also has that weird trend of the 90s where they just arbitrarily add bullets coming out of a gun that's in the picture. Does that make any sense? He's just jumping and shooting at the ground....sort of..chest bumping the air.. Some advertising dick got the artwork and just went "well... airbrush some bullets on it," then he shook his head in dismay and punched his secretary.

Anyway, Mega Man X is probably the Mega Man game I've spent the most time with (probably Mega Man Xtreme 2, really) so it seemed like a pretty logical purchase when I came across it. I'll say that I haven't played the original version of X in some time, but the PSP version feels a bit slower. Maybe it's just my memory, but I remember X being a relatively quickly paced game. Being slower doesn't harm the game in any way, but it takes the excitement down a notch.

The other thing that I have mixed feelings about is the graphics. They're re-done in 3D, completely replacing the sprite art of the SNES version.

There's nothing wrong with the graphics at all. They accurately recreate thede4 sprite art and manage to maintain a very similar art style, I guess I just prefer the sprite art. The 3D art appears a bit more cartoon-y in some way, which I think is the turn-off for me. It's ignorable for the SNES art because everything had a cartoony style, but Mega Man X managed to be a more serious looking game.

Having said that this was the first Mega Man game I actually finished (aside from Battle Network, which doesn't really count), I was surprised at the difficulty curve. The first robot master you decide to beat is an absolute bitch, but once you've beaten him and got his weapon the game gets considerably easier since you have a weapon that one boss will have a weakness to. Each level seems to get easier as you collect power-ups and other upgrades.

Once you've finished the game you can replay it as Sigma, X's nemesis. This is...not so fun. It's a very different play style, but it just doesn't seem to work out so well. I get that it's meant to be more challenging and very different, but Sigma just doesn't seem to fit into the game. It's not enough of an incentive to do a replay while overcoming the difficulty that the difference brings.

The difference probably wouldn't be as glaring if it weren't for how good the level design is. Usually there's a level or area of a game that is just horrible and annoying enough that it has the potential to kill replays. There's not really any part of Mega Man X that I would think of that way. All of the levels have the same fair challenge that you can learn how to overcome by replaying. There's nothing particularly standout about any of the levels, but they all work incredibly well.

The storyline is a bit more fleshed out in this version and.. there's voice acting. It sucks.

Overall, this is an excellent game. It can be had on the cheap, and it's worth it.

The Score: 9/10